The Shawshank Redemption
The Shawshank Redemption ’s cinematographer hates the movie ’s most iconic guess . The 1994 prison house play is repeatedly extol as one of the best Hollywood films of all time , meet 7Oscarnominations but neglect to collect on any of them .
Despite its want of Oscar victories , Shawshankhas keep a solid follow over time , remaining firmly in the top office of IMDb ’s top 250 movies of all time for years and solidifying itself as the most successful film of directorFrank Darabont’scareer . The film pack a lot of emotion into its two and a half time of day running prison term and this is potential a major reason for its popularity . After being wrong convicted of killing his wife , former controller Andy Dufresne ( Tim Robbins ) is sent to prison house , where he encounters the twenty-four hour period to day horror of captivity , and befriend a solid crew of convicts , include Red ( Morgan Freeman ) . There are numerous memorable moments and shots in the film , which frequently deal with root word of going , isolation , friendship and , of course , redemption .
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In fact , the film holds such bide power that even those who have n’t see it before are likely to recognize its iconic epitome of a man in the rain , spreading his arm to the heavens . The scene comes just minute after Andyescapes from prisonand it is a profoundly cathartic one for the audience as well as Andy . As beloved as that especial scene is , however , Games Radarhas reported that Roger Deakins , the film ’s cinematographer , ca n’t abide it . Blaming the fact that he feels he over - dismount the shooter in inquiry , Deakins had this to say about the famed imagery :
“ That ’s one of those ones that I hate , because I over - lit it . In the script , it was a much longer sequence . Andy fare out of the cloaca pipe , goes to the river , crosses the field and there ’s a whole sequence where he gets on the wagon train . In our schedule , we only had a nighttime to flash the whole affair and it was like , ‘ That ai n’t gon na happen . ’ So we shot him make out out of the tunnel , and struggling up the river . By the time we get all the equipment there , we did that eminent shot and ended on that . Because it was a dependable style to shorten that whole sequence . It actually works much better than the lengthy sequence would have done . ”
fan ofShawshankare unlikely to be as vital about the prospect , and for all Deakins ’ lecture of over - lighting such a polar moment , it clear has n’t harmed the picture ’s success or staying business leader in any significant agency . Also , yield that Deakins was nominated for an Oscar for his cinematography onShawshank , it ’s obvious that critical persuasion does n’t seem to hold any grudge over how the ignition was handle in what could arguably be regarded as the photographic film ’s most meaning gunpoint . For his part , Deakins is likely an artist who is his own bad critic . Shawshankhas been described by someas a perfect film , and although Deakins might disagree with that , there ’s no denying what the film has achieved and what it means to many .
It is n’t often that anyone involved with a flick as big asShawshankis will turn around and nose holes in their own involvement and contributions to it . At the same time , it ’s not unheard of for filmmaker to not enjoy watching their own work because they sense that they see too many mistakes within it . This could very well be the slip for Deakins , but hopefully the Oscar - winning camera operator still infer that despite what he may experience about his work onThe Shawshank Redemption , decades deserving of adulation and repeat viewings bear witness thatit ’s a film with staying power , disregardless of how any of its scenes are light .
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