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Summary
Michael Mannofficially link up Letterboxd and names his 14 favourite moving picture of all time . The managing director is best know for his silken and stylised crime drama , with some of his most clap works includingThief , Manhunter , The Last of the Mohicans , Heat , The Insider , Ali , Collateral , andPublic Enemies . His latest movie isFerrari , star Adam Driver , and Mann has lately been discussing the idea of adapt his prequel / continuation novel , Heat 2 , into a feature film with Driver as a young Neil McCauley .
Now , Michael Mannhas formally joined Letterboxd and make a list revealing his 14 favorite films of all time . The film director explicate that the list is in no particular society , except forBattleship Potemkinbeing first , which is his favorite plastic film of all time . Mann also shared notes on each of his selections . agree out his full listing below :
Battleship Potemkin(1925 )
Eisenstein not only laid the theoretic foundation — a dialectical toolkit — for much of 20th C film narrative , but in 1924 made one of film ’s great classics , applying hypothesis to montage , composition and meaning . Its influence on British , Weimar and American cinema is vast .
Dr. Strangelove or : How I Learned to break off Worrying and Love the Bomb(1964 )
The whole of Dr. Strangelove is a high - vigour third turn , all denouement . Its ravishment on Cold War policy and military culture is annihilating because its modality is ridicule . It ’s hilarious and eternal while it ’s contemporaneous ethical motive plays are forgotten .
Biutiful(2010 )
The profound struggle through the down in the mouth depths of Barcelona street life of a human soul resplendent with free grace , pathos and love . gross poetry .
Raging Bull(1980 )
We are immersed into the failing and besotted life of LaMotta and his need for and pursuit of redemption . The humanity of the picture show is over-the-top , as is Marty ’s execution . It ’s nearly consummate in its editorial economy , staging , block and composition .
Incendies(2010 )
A masterpiece of anamnesis of things past and present with a visceral associative poetry and authentic passions . It ’s strong , human , and authentic .
pallid Flower(1964 )
For its unbelievable sequence of spread out scenes alone , a striking piece of Japanese post - war noir , the people finger like you ’re there , walking past them on the street .
L’Atalante(1934 )
From the smallest piece of set decoration through performance that are timeless to the thrust of its story and workings - class surroundings , it ’s a masterpiece from Vigo at the origin of a body of study that never happened because he died of TB at 29 .
The Asphalt Jungle(1950 )
With a screenplay by W. R. Burnett , it ’s a post - war drive into highly internalized characters whose exist so contravene with furor and yearning , like Calhern ’s for immature Marilyn Monroe . The most knock-down performance is by the stunningly authentic Sterling Hayden . It ’s Huston at his most brilliant .
Poor Things(2023 )
Wildly , expressionistically torqued . Kafka , if he was droll . Brilliant .
Apocalypse Now(1979 )
Coppola ’s dark , high - voltage identity seeking , journeying through nihilistic delusion and fury into overburden . An operatic masterpiece .
Sweet Smell of Success(1957 )
The Ernest Lehman , Clifford Odets sulphurous screenplay is unequaled except by performance by Lancaster and Curtis and the chiaroscuro lighting and night exterior shooting of James Wong Howe when celluloid stock had 14 ASA .
The Hurt Locker(2008 )
For its brightly aim carrying out , as penetrating into the psyches of combatants moving progressively , inexorably nigher and close to annihilation . Renner and Mackie are magnificent .
Out of the Past(1947 )
Alongside The Asphalt Jungle , Out of the Past a masterpiece of noir in the wake of WWII . Given the scale and the repugnance of the war , the questioning the design to anything , the prevalence of betrayal and ulterior motivations … all that currency is attractively knead in this revolutionary and literate blast from the 1950s .
Pan ’s Labyrinth(2006 )
Pan ’s Labyrinth is a real favorite of mine . Fairytales are not behavioristic , they ’re very Freudian . They use symbols , particularly young person . Bruno Bettelheim did a mickle of work on the nature of fairytales . As in a dreaming , fairytales have the business leader to invade our consciousness on many level as we take it in . That ’s the special genius that Guillermo del Toro has .
Breaking Down Michael Mann’s Favorite Films
& How They Influenced His Work
Mann ’s preferent films cover a wide range of style , themes , and stories that have deep tempt his own cinematic advance . He nominate the 1925 Soviet silent picture , Battleship Potemkin , as his favorite celluloid of all metre , which theater director Sergei Eisenstein made as a testing ground for his theories on collage . charm by the Kuleshov school of filmmaking , Eisenstein manipulated the picture show ’s editing to extract the strong emotional response potential , place to engender sympathy for the rebellious sailors and provoke disdain towards their oppressors . Eisenstein ’s mastery of montage greatly influenced Mann ’s own style of optic storytelling and editing .
battlewagon Potemkinis teem on Max and for loose on Tubi .
Another one of Mann ’s favorite films isStanley Kubrick’sDr . Strangelove . The second film on his list , Mann says that seeingDr . Strangeloveduring his time as a student at the University of Wisconsin – Madison is what made him lessen in beloved with movie . Kubrick ’s 1964 flick had a profound impingement on Mann ’s generation , proving that filmmakers could create serious , meaningful cinema with artistic virtue while still appeal to mainstream audiences . This disclosure encouraged Mann to pursue his own ambitious and meaningful projects afterwards in his career .
Dr. Strangeloveis streaming on Prime Video .
Pale Flower , The Asphalt Jungle , Sweet Smell of Success , andOut of the Pastare all employment of noir which , with their shadowy filming and morally equivocal narratives , intemperately influencedMichael Mann ’s movies . Martin Scorsese’sRaging Bulland Francis Ford Coppola’sApocalypse Nowalso likely work Mann ’s captivation with acute character studies . Though Alejandro Iñárritu’sBiutiful , Denis Villeneuve’sIncendies , and Guillermo del Toro’sPan ’s Labyrinthare some of the newer film on his list that have n’t belike influenced his piece of work as much , they are still worthy choices forMichael Mann ’s favourite film of all meter .
reference : Michael Mann / Letterboxd
