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Here are our picks for the better movies of the tenner nominated for zeroOscars . Each year , the Academy assay to recognize the best achievement in film , but invariably there are always cut . Film , of course , is a subjective medium , and everyone has their own opinion about what is and is n’t worthy of Oscar Au . Even the most acclaimed contender for Best Picture has its fairish share of depreciator , and the movies that do n’t get any Oscar love at all have legion of TV audience championing its meritoriousness long after the nominating speech have already been announced .
Even though there are 24 Oscar category covering a change of filmmaking aspects , there ’s a limited telephone number of nominations . No matter how great a individual movie is , sometimes it just does n’t have enough support to beat out the intense competition . And while movies likeFirst Man , The LEGO Movie , andThe Town(among countless others ) fell short of snagging Best Picture nominations , they were at least in the running for other award . The films on this list could n’t garner even one Oscar nomination - not even in one of the expert area .
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15. Rush
athletics drama be given to have a solid track record with the Academy , but Ron Howard ’s chronicle of James Hunt and Niki Lauda ’s epic rivalry was completely shunned . This was despite earning a twosome of Golden Globe nominations : Best Picture - Drama and Best Supporting Actor ( Daniel Brühl ) among other notable accolades from other awards consistence . Both Brühl and Chris Hemsworth gave grotesque performances in roles they seemed seamster - made for , and Howard was at the top of his game behind the photographic camera . Rush’srace sequences are exhilarating and easily draw the viewer into the world . One does not have to be a Formula One enthusiast to value this swell film , and it ’s a shame the Academy completely ignored it .
14. The Nice Guys
Comedies , arguably unfairly , front an rising climb at the Oscars . Even when something as slick and entertaining as Shane Black’sThe Nice Guyscomes around , voters await the other way . The chum drollery is fueled by a duad of grand act by Russell Crowe and Ryan Gosling , both demonstrate great chemical science with each other and stellar comedic timing . Gosling in special really countenance on the loose , with his portrayal as Holland March marking a sharp variety - of - pace from the more straight - face up dramas he appeared in earlier in the tenner . Besides the acting ( Angourie Rice had a headliner - making performance here too),The Nice Guyswas notable for recreating 1970s Los Angeles in great detail , so it could have been in the running for Best Production Design .
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13. Edge of Tomorrow
Science - fiction is another democratic musical genre that regrettably struggles to appeal to Oscar elector , but there are casual breakthroughs . unhappily , Doug Liman ’s masterfulEdge of Tomorrowwas not one of them . Emily Blunt channel fable like Sigourney Weaver and Linda Hamilton in her carrying into action as the " Full Metal Bitch " Rita Vrataski . And Tom Cruise , who so often play the charming , confident hero , had an chance to play against type as the cowardly Bill Cage . The screenplay , credit to Jez & John - Henry Butterworth and Cruse ’s trust collaborator Christopher McQuarrie , brilliantly mixedAliensandGroundhog Dayinto something that was saucy and entertaining . Of naturally , Edge of Tomorrow’sbest chances at a nod were in the technical categories , but its bully visual effects and sound invention could n’t get any adhesive friction .
12. The Edge of Seventeen
In 2017 , coming - of - old age dramedyLady Birdwas one of the biggest titles of awards time of year . However , a yr prior there was another high school get along - of - age story many felt was deserve . We talk ofThe Edge of Seventeen , which featured a standout ( and Golden Globe nominated ) performance by Hailee Steinfeld . The playscript was capable to deftly update all of the authoritative John Hughes traits , entertaining viewing audience with a unfermented perspective in this ever - develop submarine sandwich - genre of picture show . The Edge of Seventeenmight have been too " small " to crack the Best Picture lineup , but Steinfeld and the screenplay certainly fork out the good . Relatable , poignant , and funny , The Edge of Seventeenproved to be a major supervising on the Academy ’s part .
11. Shutter Island
When Martin Scorsese and Leonardo DiCaprio team up , it ’s all but a warranty Oscar nominations are coming . Four of their five collaborations to date have been Academy darling , withShutter Islandthe outlier . This winding drama , bring out in early 2010 , was n’t as critically acclaimed as Scorsese ’s other works with DiCaprio , but still had Marty ’s 21st hundred muse delivering one of his more complex performances and , of class , state - of - the - art filmmaking that Scorsese is known for . From its opening night moments , Shutter Islandevokes a sense of apprehensiveness and uneasiness - a compliment to Scorsese ’s crew that helped set the tone . It ’s exceedingly rare for the Academy to completely reject a Martin Scorsese picture , but for some rationality , Shutter Islandcouldn’t cut it .
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10. Paddington 2
Recently , Hugh Grant calledPaddington 2the effective film of his life history , and many would be inclined to match with him . This dead delightful sequel was the idealistic remediation to today ’s divided and trying time , embracing audience with its important substance of politeness and kindness . Even the most cold - hearted cynic would find it difficult to stand firm the charms of Paddington , who only wants to make the earth a better place . Much more than just a " kids ' movie,“Paddington 2is pack with pertinent subtext that touch viewers on an emotional level and is bolstered by terrific filmmaking by director Paul King . At one point , it wasthe best - reviewed picture of all - time on Rotten Tomatoes , and it ’s well-to-do to see why .
9. Hunt for the Wilderpeople
BeforeTaika Waititi became a favourite of MCU fans , he made a name for himself as a far-out indie filmmaker in his native New Zealand . Arguably his best work to date isHunt for the Wilderpeople , a unique coming - of - age narrative where puerile delinquent Ricky Baker and his " uncle " Hec endeavor to evade regime while get across through the wild . Julian Dennison and Sam Neill both have standout performances , with the former helping elevate Ricky beyond the trappings of a stereotypic " troubled youthfulness " frequently get word in movies . Hunt for the Wilderpeopleis a perfect exercise of " glad deplorable cinema , " allowing watcher to find several emotion over the course of its run time . That Waititi was able to effectively pull off the tonic changes verbalise to his natural endowment as a writer and director , making him one to keep an eye on from here on out .
8. The Dark Knight Rises
The Academy ’s incredulous snub ofThe Dark Knightin 2008 make such an uproar , it led to the expanding upon of the Best Picture category . So , it ’s with rich irony thatThe Dark Knight’ssequel received zero nominations in 2012 . grant , The Dark Knight Risesis arguably the weakest of the trilogy , but it ’s still a very good film and provideda satisfying conclusion to Bruce Wayne ’s storey . No performance reached the levels of Heath Ledger ’s Joker , but Christian Bale , Tom Hardy , Anne Hathaway , and Michael Caine were all fantastic in their office . And with Christopher Nolan at the helm , The Dark Knight Rises’technical merits are first rate . Whether it ’s Hans Zimmer ’s larger-than-life score , the beautiful filming , or the seamless blend of CGI and pragmatic outcome , somethingfrom the film well could have been name .
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7. The World’s End
Edgar Wright concluded his Cornetto trilogy with a Riffian on the sci - fi invasion film that took a heavy look at the perils of middle - historic period and go wrong dreams . Simon Pegg ’s Gary King is a completely dynamical character ; for most of the film , he comes across as a bit of a nuisance before a third number twist twist him into a heartbreaking and sympathetic figure . Pegg fully commits to the role and delivers perhaps the best performance of his calling . Wright , of form , is as detail - oriented and industrious as ever , withThe World ’s Endfull of his ingenious prefiguration bit that make things more rewarding on rewatches and exhilarate activeness go under pieces . The celluloid is comedic in nature , but has some rich , tragic undertones that make it all the more impactful . Wright last got an Oscar invite forBaby Driver , but he should have been there long time before .
6. Looper
Another lesson of the Academy ’s comprehend bias against sci - fi , this original clock time - traveling crime write up from Rian Johnson pick up a couple of nod from the Critics ' Choice Awards and Writers Guild Awards , but could n’t make it through at the Oscars . In particular , Johnson ’s inventive , genre bend screenplay garner good deal of praise , as did the performances by Joseph Gordon - Levitt and Bruce Willis . Looperwas one of the more engrossing and exciting movies of 2012 , cementing Johnson ’s status as a gifted filmmaker with a bent for find fresh takes in some of the medium ’s most make musical genre . Every once in a while , the Academy ca n’t resist an excellent piece of sci - fi , so it ’s a shameLoopercouldn’t get one nomination .
5. Hereditary
Horror is another genre with longstanding trouble at the Academy . That was one of the reason whyGet Outwas such a landmark import . Last year , many cinephiles feltHereditaryhad what it take to bring some Oscar nominations . Most notably was Toni Collette , whose incredible operation was recognized by several critics association . When her name when uncalled on Oscar nomination aurora , it was one of the consensus picks for biggest repulse . Hereditarywas also praise for being a truly unsettling work of art , annunciate Ari Aster as one of the brightest up - and - coming repugnance director of this generation . Few were expecting this one to go all the way , but a nomination or two in some category would have been appreciated .
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4. 50/50
Drawing inspiration from writer Will Reiser ’s tangible - life battle with cancer,50/50takes a humorous and poignant approach to its dependent topic to incredible results . The motion-picture show balances a tough line and is capable of making viewers belly laugh right before going for an excited patsy punch.50/50works as well as it does because Gordon - Levitt is its anchorperson , deliver an bona fide and captivating carrying out that should have land him in the Best Actor field . Seth Rogen is also great as the supportive best booster who ’s doing what he can to help out.50/50earned some passion at the Golden Globes , but the Oscars did n’t go for it at all - even though the screenplay , acting , and the movie overall was more than deserving of being a major challenger .
3. Mission: Impossible - Fallout
In 2015,Mad Max : Fury Roadbecame a surprise leader in the Oscar clubhouse , marking nods in Best Picture and Best Director . But whenFalloutearned praise as the good action at law motion picture sinceFury Road , it could n’t even get a technical nominating address . That ’s inauspicious , because Cruise and McQuarrie once again team up to give up something legal action fan will rave about for twelvemonth to come . The daredevil moderate human being literally put his life on the pipeline multiple time for the sake of audiences ' entertainment , doing his own life-threatening stunts . McQuarrie was the glue that held the photograph together , snoop exciting set patch after exciting jell piece , build up to the crescendo of the high - stakes third routine . Mission : Impossible - Falloutwas the natural action movie of the summerandone of the estimable films of 2018 . It ’s too bad the Oscars did n’t comment it at all .
2. Widows
Steve McQueen ’s directorial followup to Best Picture winning12 Years a Slave , Widowswas one of the on - report candidates to make an Oscar run last class . Combining McQueen ’s arthouse sensibilities with mainstream genre rush , Widowswas a different sort of heist flick full of deeper meanings and metaphors ( the one - take involve Colin Farrell in the limo sticks in one ’s mind long after the credit have roll ) . With the always splendid Viola Davis leading an A - list tout ensemble that gave it their all , Widowsshould have been in the running play for several awards or else of buy the farm home empty handed .
1. Eighth Grade
Another coming - of - eld story , Bo Burnham ’s achingly real portrait of adolescence was a favourite of cinephiles last year , announcing him as a theater director to watch moving frontwards . Burnham ’s tight handwriting dead captured the trials and tribulations of a mussy clip full point , striking all the correct chord that made it relatable ( and at times dreadful ) to watch . carry the film on her shoulders was Elsie Fisher , who knocked her role right out of the ballpark and was one of the most actual moving-picture show teenagers to grace the big concealment in some time . WhenEighth Gradewas egest over by the Academy , it was a stunning turn of events , since many believed it at least would get into the Best Original Screenplay field .
Honorable Mentions
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